Eleanor Retish’ 28
Every Monday, I wake up looking forward to two things: one, Peirce grilled cheese and tomato soup, and two, digging around in the dirt for three hours and finding fun surprises from artifacts that haven’t seen the light of day in two hundred years. That being said, it is easy to get wrapped up in the fun of the excavation and forget about the significance of the objects. Luckily, this week KAP is focusing on object biographies, which offers a great way to think about objects in a more anthropological and—I hate to say it but—less whimsical way.
Object biographies are an exercise of writing the ethnographic and historical story of an object, offering “a useful mechanism to explore and understand” the different meanings that the object has carried across time and exchanges (Fowler et al 2016: 212). The idea of object biographies emerged in the 1980s, pioneered by works from anthropologists Arjun Appadurai and Igor Kopytoff, and aligning with the individual identity-focused ideas of post-processualism. By considering how objects affect human culture, rather than how objects are affected by humans, we flip the analysis from a passive to an active one and attempt to “understand the way objects become invested with meaning through the social interactions they are caught up in” (Gosden and Marshall 170).
To give an example of what can be gained from an object biography, we can look at our Bishop’s Cabin site. This past week in Suboperation Q, my classmates and I found two plain white cylindrical beads. Much more historical research is needed to create a complete object biography of them, but just from the current information we have about them, many questions to answer arise. What did these beads originally decorate? A necklace? A garment? Something else? Who owned the beads in the cabin, and did they have any previous owners? Where did the beads come from before they were brought to the cabin? How did the beads end up being buried? Although we won’t be able to answer all of these questions, there are certain things we might be able to find that would contribute to an object biography about these beads.
In Subop Q we are investigating how the rocks we found in it are related to the foundation, or if they are at all. If we determine this, then we will be able to understand geographically where in the cabin these beads fell and were buried, which might answer some questions about ownership. Additionally, doing more historical research on beads and beadwork in Ohio during the 1820s might allow us to situate the beads in their historical context, and perhaps understand their own personal history better.
As we transition in the next few weeks from excavation to analysis in the lab, we will be able to learn more about the objects that we have found and interrogate more into each of their biographies. I look forward to sharing the stories we find with you all!
Works cited:
Fowler, Madelin, Roberts, Amy, and Rigney, Lester-Irabinna. “The ‘very stillness of thing’: object biographies of sailcloth and fishing net from the Point Pearce Aboriginal Mission (Burgiyana) colonial archive, South Australia.” World Archaeology, vol. 48, no. 2, pp. 210–225, 2016, https://doi.org/10.1080/00438243.2016.1195770.
Gosden, Chris and Marshall, Yvonne. “The cultural biography of objects.” World Archaeology, vol. 31, no. 2, pp. 169–178, 1999, https://doi.org/10.1080/00438243.1999.9980439.